CowboyRobot writes “Two researchers at San Francisco State University has successfully implemented hardware acceleration for realtime audio using graphics processing units (GPUs). ‘Suppose you are simulating a metallic plate to generate gong or cymbal-like sounds. By changing the surface area for the same object, you can generate sound corresponding to cymbals or gongs of different sizes. Using the same model, you may also vary the way in which you excite the metallic plate — to generate sounds that result from hitting the plate with a soft mallet, a hard drumstick, or from bowing. By changing these parameters, you may even simulate nonexistent materials or physically impossible geometries or excitation methods. There are various approaches to physical modeling sound synthesis. One such approach, studied extensively by Stefan Bilbao, uses the finite difference approximation to simulate the vibrations of plates and membranes. The finite difference simulation produces realistic and dynamic sounds (examples can be found here). Realtime finite difference-based simulations of large models are typically too computationally-intensive to run on CPUs. In our work, we have implemented finite difference simulations in realtime on GPUs.’”
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Ars reports on an international treaty being negotiated that would relax restrictions on versions of books made to be more accessible to blind people. Unfortunately, the MPAA and similar organizations have been lobbying aggressively to have the treaty strengthen copyright protections as well, and could derail the entire process. Quoting: “In principle, the digital revolution should have dramatically improved blind peoples’ access to the world’s information. … Unfortunately, copyright law often stands in the way. Legal restrictions on circumventing digital rights management (DRM) technologies can limit the accessibility of e-books. And in some countries, libraries and other non-profits must seek permission from the creator of each work before producing accessible versions of books in other formats. Getting permission is a laborious process that, in practice, means that only a small fraction of available works is ever converted into accessible formats. … The pending WIPO treaty would change that. It has two core goals that everyone we talked to supports in principle: requiring countries to enact an exception for blind people similar to America’s Chaffee Amendment and allowing nonprofit organizations that help blind people to share accessible works across international borders. … Negotiators had already excluded audiovisual works from the treaty in order to placate the movie studios. But to the frustration of treaty advocates, Hollywood has gotten involved in the negotiations anyway.”
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David Coursey has spent a lot of his life as a journalist, specializing in IT coverage for most of it. He’s written for ZDNet and eWeek, Forbes, and other well-known publications, and has had his stories linked from Slashdot more than a few times over the years. What he is not as well known for is his expertise as an EMT, a field he has been in as both a volunteer and professional since the rocks in California (where he lives) were still soft enough that the Flintstones used them as pillows. He and I were chatting on Facebook yesterday, and I realized that David’s views on media coverage of the recent Boston Marathon bombings might be worth sharing. Do you think what he’s saying is valid? Do you agree or disagree with him? Or some of each?
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FuzzNugget writes “In a recent blog post, Netflix details their plans to transition from Silverlight to HTML5, but with one caveat: HTML5 needs to include a built-in DRM scheme. With the W3C’s proposed Encrypted Media Extensions, this may come to fruition. But what would we sacrificing in openness and the web as we know it? How will developers of open source browsers like Firefox respond to this?”
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An anonymous reader writes “TechCrunch and The Verge are reporting that Apple is near a deal with Universal Music to provide a streaming ‘iRadio’ music service. ‘Apple is expected to launch a web radio service similar to Pandora’s later this year, provided that executives there can strike an agreement with Sony Music Entertainment as well as music publishers. Talks with Sony, which operates the third label, Sony Music Entertainment and Sony / ATV, the music publishing company jointly run with the estate of the late singer Michael Jackson, are said to not be as far along towards reaching a deal. … As for the financial terms, Apple will not receive the steep discounts it had sought for the labels’ music.’ Apple’s 400 million active iTunes accounts could give even Pandora, with its 200 million users, something to worry about. ‘For startups and streaming music companies, this means looking closely at the competitive advantages offered by their own platforms and decided how best to position their own services. A key advantage, and one that will likely get emphasized by virtually everyone challenged by an iRadio, is cross-platform compatibility. Apple will likely be able to offer something along those lines through iTunes on Windows, but for the most part it’ll be a strictly iOS/Mac affair. That, combined with personalization and recommendation engines, along with other value add features, will be the way to combat an iTunes streaming service, but no matter what, an Apple product will change the face of this market.’”
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GTRacer writes “In response to Aereo’s recent win allowing per-user over-the-air antenna feeds to remote devices, Fox COO Chase Carey said, ‘We need to be able to be fairly compensated for our content. This is not an ideal path we look to pursue [...],’ that path being a switch to a subscription model. Spanish-language stalwart Univison may join Fox, per CEO Haim Saban. Aereo replied, in part, ‘When broadcasters asked Congress for a free license to digitally broadcast on the public’s airwaves, they did so with the promise that they would broadcast in the public interest and convenience, and that they would remain free-to-air. Having a television antenna is every American’s right.’ A switch to a pay-TV subscription model would stymie Aereo but could hurt affiliate stations.”
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earthwormgaz writes “I’ve set up a Linux XBMC + MythTV with FreeView machine for the lounge at home. It works pretty well for Linux, although things crash here and there. The Mrs wants LoveFilm or Netflix, but it seems they’re Silverlight and not Linux friendly. Is there anyone doing streaming film and TV with Flash or something else that works on Linux? Failing that, is there anyway to download a film for £4-6 say, as just an AVI file or something, legally?”
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DeviceGuru writes “Many of us have griped for years about Roku’s retro one-dimensional user interface. Finally, in conjunction with the release of the new Roku 3 model, the Linux-based media streaming player is getting a two-dimensional facelift, making it quicker and easier to access favorite channels and find new ones. Current Roku users, who will now begin suffering from UI-envy, will be glad to learn that Roku plans to push out a firmware update next month to many earlier models, including the Roku LT, Roku HD (model 2500R), Roku 2 HD, Roku 2 XD, Roku 2 XS, and Roku Streaming Stick. A short demo of the new 2D Roku menu system is available in this YouTube video.”
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An anonymous reader writes “In what seems like a surreal mixture of life imitating art, the Golf Channel has taken the wraps of a new camera drone. The hover camera appears to have 8 independent rotors supporting what looks like a gyro-stabilized HD camera. Though it is far from silent, the new drone will be on the course this week at the PGA Tour event taking place at Arnold Palmer Invitational at Bay Hill in Florida. No word on whether or not Lord Vader will be using these to monitor rebel activity on Hoth.”
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yanom writes “Slashdotters may remember the launch of the Internet Defense League, a network for website owners that would allow for the replication of a media campaign similar to the one that took down SOPA. Now it plans to spring into action in response to the Cyber Intelligence Sharing and Protection Act, which is now making it’s way through Congress. The IDL wants its members to embed anti-CISPA banners into their websites, which will be activated tomorrow, March 19th.”
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Daniel_Stuckey writes in with an Afghanistan media success story. “I met Orner at South by Southwest, where she was hustling her latest film, The Network. The Network features a brighter side of Afghanistan’s brighter side: the story of its television revolution. In Orner’s opinion, it’s a narrative that runs contrary to our common conceptions of a country that has spent decades in a state of war and instability. She followed Saad Mohseni, a media guru and founder of Afghan media firm Moby Group, who is credited for jump starting the nation’s media transformation. Sometimes referred to as the Rupert Murdoch of Afghanistan, Mohseni, an Afghan expat and entrepreneur, explains how he and his siblings returned to Kabul from Australia in 2001, amidst the war shifting into gear. First, they launched a radio station, and by 2004 they’d shifted to television with Tolo TV, quickly turning Moby Group into the largest media conglomerate in the nation.”
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cylonlover writes “In a development sure to send conspiracy theorists into a tizzy, researchers at the Max Planck Institute for Informatics (MPII) have developed video inpainting software that can effectively delete people or objects from high-definition footage. The software analyzes each video frame and calculates what pixels should replace a moving area that has been marked for removal. In a world first, the software can compensate for multiple people overlapped by the unwanted element, even if they are walking towards (or away from) the camera.”
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An anonymous reader writes “Continuing a firehose tradition of maximum information density, Xiph.Org’s second video on digital media explores multiple facets of digital audio signals and how they really behave in the real world. Demonstrations of sampling, quantization, bit-depth, and dither explore digital audio behavior on real audio equipment using both modern digital analysis and vintage analog bench equipment… just in case we can’t trust those newfangled digital gizmos. You can also download the source code for each demo and try it all for yourself!” Plus you get to look at Monty’s beard and hear his soothing voice. There’s a handy wiki page with further information and a summary of the video if text is your thing.
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An anonymous reader writes “Dozens of fans attending a NASCAR race at Daytona Speedway were injured when a crash during the last lap triggered a chain reaction, culminating in the front section of Kyle Larson’s car ricocheting into the fence in front of the stands (Larson escaped injury). While the footage accompanying the article is dramatic enough, an even more riveting clip showing the chaotic scene in the stands from up close was posted on YouTube, but was taken down after NASCAR claimed it violated their copyright . YouTube has since restored the fan’s video. A NASCAR spokesman has issued a clarification, saying that the takedown request was done out of respect for those injured. The race was an opening act for the main event, the Daytona 500, which officials say will proceed as scheduled. ‘With the fence being prepared tonight to our safety protocols, we expect to go racing tomorrow with no changes,’ Speedway President Joie Chitwood told CNN.”
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The folks over at http://www.iheartubuntu.com recently put up a challenge to
the Linux community to get Netflix to work natively under our beloved
OS. Thankfully, Erich Hoover stepped up to the challenge and patched
the Wine Project in a way to allow Firefox/Silverlight to be installed
and actually work with Netflix’s DRM’d Silverlight!
more>>
An anonymous reader writes “A copyright monitoring program called MarkMonitor mistakenly flagged HBO.com for pirating its own shows, and sent automatic DMCA takedown notices to the network. It’s a funny story, until you realize that MarkMonitor is the same software that will power the U.S. Copyright Alerts System (a.k.a. “Six Strikes”), due to be rolled out by the five largest U.S. ISPs sometime in the next month.”
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fluor2 writes “Team XBMC have released XBMC 12 ‘Frodo.’ Features for XBMC 12 include: HD audio support (including DTS-MA and Dolby True-HD) via the new XBMC AudioEngine (OS X/iOS not yet available), live TV and PVR support, h.264 10-bit (aka Hi10P), 64-bit support in OS X to match the 64-bit support in Linux, improved image support, support for the Raspberry Pi, initial support for the Android platform, improved AirPlay support across all platforms, improved controller support in Windows and Linux, advanced filtering in the library, video library tags to complement movie sets, advanced UPnP sharing, and more!”
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An anonymous reader writes with an article from Duke Law on what would have entered the public domain today were it not for the copyright extensions enacted in 1978. From the article: “What could have been entering the public domain in the U.S. on January 1, 2013? Under the law that existed until 1978, works from 1956. The films Godzilla, King of the Monsters!, The Best Things in Life Are Free, Forbidden Planet, The Ten Commandments, and Around the World in 80 Days; the stories 101 Dalmations and Phillip K. Dick’s The Minority Report; the songs ‘Que Sera, Sera’ and ‘Heartbreak Hotel’, and more. What is entering the public domain this year? Nothing.” And Rick Falkvinge shares his predictions for what the copyright monopoly will try this year. As a bit of a music fan, excessive copyright hits home often: the entire discographies of many artists I like have been out of print for at least a decade. Should copyright even be as long as in the pre-1978 law? Is the Berne Convention obsolete and in need of breaking to actually preserve cultural history?
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Mark Westlake is the Chief Revenue Office for TechMediaNetwork. Slashdot has often taken a mediawatch role, especially when it comes to technology coverage — which is what TechMediaNetork does for a living. As Chief Revenue Office, Mark is in charge of making sure enough money comes in to pay writers and editors, pay for bandwidth and servers, and hopefully have enough revenue over and above expenses to show a profit. We’ve interviewed editors and writers, and plenty of writers’ work gets linked from Slashdot, but we pay little or no (mostly no) attention to the business side of the publishing business. Like it or not, if we are going to have online news someone has to sell the ads and make decisions about whether to set up a paywall or not. That’s Mark’s job. Like him or not, he does a job somebody has to do, and has been doing it for 30 years. He knows he’s talking to a potentially hostile audience here, but he accepts that. As he says, near the end of the video, “…you can’t please everybody, right?”
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An anonymous reader writes “A Metro version of VLC, the popular free and open-source media player, is coming to Windows 8. On Sunday, the VideoLAN organization reached its funding goal on Kickstarter for its Windows 8-specific app. There are also plans to port it afterwards to Windows Phone 8. The project has now been funded by over 2,500 backers, who have pledged more than the £40,000 ($65,000) goal.”
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